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Faculty


Major Classical Music Recording
Prof. Dagmar Birwe, Music Production
Benno Müller vom Hofe, Radio Drama
Christian Schmitt, Creative Audio-Editing Music
Christian Zimmerli, Professional Hearing

Major Media Composition
Prof. Andreas Grimm
, Media Composition
Thomas Forkert
, Jazz and Pop Arrangement
Andreas Kolinski
, Computer-based Media Composition
Olaf Mierau
, Sound Design

Major Music Informatics
Prof. Julian Rohrhuber
, Music Informatics / Media Theory
Tobias Grewenig, Hybrid Sound Computing
Dave Griffiths
, Critical Programming
Hannes Hoelzl, Hybrid Sound Composition 
Jan-Kees van Kampen, Programming as Improvisation
Marcus Schmickler, Hybrid Sound Composition

Major Music Production
Prof. Werner Roth
, Music Production
Prof. Dieter Falk
, Music Production
Reinhard Klose
, Live Sound
Alexander Nemes
, Surround Sound Technology
Christoph Terbuyken, Computer-based Musikproduction

Major Music and Audiovisual Media
Prof. Manfred Waffender
, Dramatic Composition in Media
Armin Riegel
, Film Editing
Prof. Ulla Barthold
, Visual Composition Camera / Lighting
Florian Boddin
, Video Engineering
Robert Keilbar, Film Sound 

Major Music and Media Management
Prof. Dr. Ulrich Klinkenberg
, Music and Media Management
Frank Kühl
, Music and Media Law

Major Music and Text
Waltraud Blischke, Music and Text
Philipp HolsteinWriting / Speaking about Sound
Marc Matter, Music and Text

Major Visual Music
Prof. Dr. Heike Sperling
, Visual Music / Digital Visual Media
Prof. Ulla Barthold
, Visual Composition Camera / Lighting
Falk Grieffenhagen, Visual Music Systems
Christian Schäfer, Visual Composition Graphic Design
Marcus Schmickler, Visual Music / Composition

Master Klang und Realität
Prof. Andreas GrimmMedia Composition
Prof. Julian Rohrhuber, Epistemic Media
Prof. Dr. Heike Sperling, Transmedia Forms
Waltraud Blischke, Sound Research
Dr. Johanna Dombois, literary form between art and science / Performance Media Studies
Anja Dreschke, Media Anthropology
Carsten Goertz, Visual Methods
Prof. Dr. Nicolas Langlitz
, Epistemology und Existence
Prof. Dr. Swantje Lichtenstein, Liminal Agencies
Stefan Majakowski, Documentary Form
Marc Matter, Sound Research / Prototyping
Christian Schäfer, The practice of time
Marcus Schmickler, Mediated Time Forms 
Phillip Schulze, Sound / Mediated Time Forms
Tzuchien Tho, Form and Formalism

Music Lessons
Nico Brandenburg, Double / Electric Bass
Peter Engelhardt
, Jazz / Electric Guitar
Andy Gillmann, Drumset
Mathias Höderath, Pop Keyboard / Jazz Piano
Inga Lühning, Pop and Jazz Vocals
Jürgen Peiffer, Drumset
Stefan Rademacher
, Electric Bass
Heiner Rennebaum, Jazz Guitar
Martin Sasse
, Pop Keyboard / Jazz Piano
Jan Schneider
, Ensemble (Jazz / Pop / experimental)
Philipp van Endert
, Jazz and Electric Guitar
Tobias Wember, Jazz Trombone
Reiner Witzel
, Jazz Saxophon

Instrumental- und Gesangsunterricht (klassisch)
Overview (German)

Basics
Dieter Fleischmann
, Visual Composition Camera
Stephan Friedrich
, Digital Audio Workstations
Jan Höhe
, Creative Editing
Bettina Kelm
, Feldenkrais Method
Dr. Heiner Klug, Music Science
Ingo Schmidt-Lucas, Recording Technique
Gerald Steuler
, Studio Hardware / Software

Technical staff
Peter Dombrowski
, Audio Engineering
Martin Störkmann
, Video Engineering

Office Management
Claudia Semmler
Senay Saral




 

 

Robert Schumann Hochschule Düsseldorf Fischerstraße 110, 40476 Düsseldorf
Fon: +49.211.49 18 -0 Fax: +49.211.49 11 6 18 www.rsh-duesseldorf.de